De Nadie

Prepare for the journey as an unknown, a nothing, no one. Prepare to leave everything from South and Central America behind and travel alone with a vague sense of direction and the echo of your family left in your ears. Prepare to face the same intimidation and corruptive danger in Mexico as you will eventually find 1,300 miles north, when you cross into the United States, if you live through it. As rich nations sharpen their borders and differences, the poorest peoples continue to blur them in the search for liberties too universally held to be claimed by any flag. Through this burning hunger, we are drawn into DeNADIE, and through its intimate lens and enduring crew, we find ourselves confronted with a story of immigration we only thought we understood. First-time filmmaker Tin Dirdamal displays moving photographic grace and sophisticated understanding of his subjects as he follows their search for the sustenance their native countries can’t provide. These personal stories force deeper understanding of the United States’ border crisis, while exposing hypocrisies in a Mexican culture faced with equally uncomfortable intolerance of its own. All this from a film that doesn’t take political stances, it merely brings us the voices of those affected, the results of which are far louder

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